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・ Francesco Cafiso
・ Francesco Cairo
・ Francesco Calcagno
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Francesco Cancellieri
・ Francesco Cancellotti
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・ Francesco Canova da Milano
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・ Francesco Cappè
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・ Francesco Capurro
・ Francesco Caputo
・ Francesco Caputo (painter)
・ Francesco Carabelli


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Francesco Cancellieri : ウィキペディア英語版
Francesco Cancellieri
Francesco Girolamo Cancellieri (Rome, October 10, 1751 – Rome, December 29, 1826) was an Italian writer, librarian, and erudite bibliophile.
==Biography==
Thomas Adolphus Trollope wrote a summary of his biography, which had been extracted were published by a Giuseppe Beraldi in a series called ''Memorie di religione, di morale, e di letteratura''. Francesco's paternal family was from Pistoia originally; his father had been a secretary to Cardinal Paolucci. Francesco was dispatched to be educated by the Jesuits at the Collegio Romano, though he never took vows as a priest. He was employed as secretary for various diplomats in Rome. However in 1773, he lost important backers when the Suppression of the Jesuits was declared by Pope Clement XIV.
In 1775, Cancellieri was appointed librarian for Cardinal Antonelli, whose library was located in the Palazzo Pamphili in Piazza Navona; this post Cancellieri held till the latter's death in 1811. He lived on No. 63, Via del Mascherone, in a small house adjacent to the church of San Petronio dei Bolognesi. In addition to librarian position, Cancellieri was also Superintendent of the Propaganda printing press, and for a time, Prosigillatore for the Vatican, (Deputy Sealer of Briefs). But the income from these positions was paltry, and for years he was close to insolvency, specially after his protector, Antonelli, died. His publications rarely brought in income, and were often sponsored by those to whom they were dedicated.
In his position as secretary, Cancellieri proved prolific, writing nearly three hundred treatises or books. He was equally a prodigious epistolarian, he sent over 300 letters alone to the historian Tiraboschi. He was amiable and neat in person and language, but never terse; and his style in manners and writing were bountifully steeped with gushingly effusive, but also often grating, cordialities. The poet Leopardi complained that:
''Cancellieri is insufferable from the outrageous laudations with which he overwhelms everybody who goes to see him, ... (and) which renders his conversation utterly uninteresting, since one cannot believe a word of it." He also said: "Cancellieri—an old fool, a river of chatter, the most tiresome and insupportable bore on earth. He speaks of absolutely trivial matters with the utmost interest, and of things of high import with the coldest indifference. He smothers you with compliments, and utters them with such a cold indifference that to hear him one would think that it must be the most ordinary thing in the world to be an extraordinary man.''

Leopardi in part shows impatience with the overcourteous past, dense with etiquette and flowery witticism, but also his attachment to minutiae unnerved the poet. Trollope states:
''The old 18th century bookworm, whose mind, filled to overflowing with odds and ends of archaeological learning ...could never conceive, that his stores could be otherwise than profoundly interesting to all mankind, must necessarily have seemed an unprofitable cumberer of the earth to the young poet, whose brain was busy with meditations on the eternal destinies of man. The gentle old-world courtesies in 'issimo,' ... nauseated the younger man, whose provincial breeding had not taught him to understand that there was no more real insincerity in his aged host's compliments than in the obeisances of a minuet. ... But it may be affirmed, with the most perfect assurance, that Cancellieri's intention and object at the interview was to please and gratify his visitor, whereas the morbid, melancholy, discontented mind of the poet was wholly occupied by his own sensations. ''


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